The Mirage
Naser Farahman who is a mathematics teacher with his wife and family come to Tehran to live there. But he faces many financial problems and his son too gets lost. This changes Naser's mind and he decides to go back to his city. His wife disagrees and leaves him but finally comes and goes back with her husband to their city.
The Mirage — moviesda Movie Details, Country, Release Date, and More
| Original Title | Sarab |
|---|---|
| Release Date | 1986-05-19 |
| Country | IR |
| Languages | fa |
| Interests | Drama, Family, Thriller |
| Genres | Drama·Family·Thriller |
| Production | Hedayat Film |
| Links | Source |
The Mirage — moviesda Movie
The Mirage brings together elements of Drama, Family, Thriller, delivering a captivating and immersive experience. Directed by an accomplished director with a screenplay by a talented writing team, it weaves a compelling story that keeps audiences engaged from start to finish. Produced by Hedayat Film and presented by moviesda, the movie brings a fresh perspective to the genre. Released on 1986-05-19, with a runtime of 105, it unfolds as a gripping narrative filled with memorable performances and stunning visuals. With a budget of $100,000, the movie has earned undisclosed box office results, reflecting its impact on audiences. Now officially released, it continues to leave a mark, carrying the tagline:
No official tagline announced yet.
The Mirage — moviesda Movie Screenshots
The Mirage — moviesda Movie Review – A Cinematic Masterpiece That Stands the Test of Time
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*The Mirage* is a poignant exploration of familial bonds and the relentless grip of financial hardship. Directed with a deft hand, the film artfully weaves together elements of drama and thriller, creating an emotional tapestry that keeps viewers engaged from start to finish.
The story centers on Naser Farahman, portrayed with a compelling mix of vulnerability and determination by the lead actor. His struggle as a mathematics teacher in Tehran, coupled with the heart-wrenching disappearance of his son, serves as the emotional core of the narrative. The performances are uniformly strong, particularly Naser's wife, whose portrayal of conflicting emotions adds depth to the family's turmoil.
The pacing is deliberate, allowing the audience to fully immerse themselves in the characters' experiences, with moments of tension that punctuate the film's quieter scenes. This careful balance underscores the weight of their circumstances and invites reflection on the choices that define families under pressure.
While some plot points may feel familiar, *The Mirage* offers fresh insights into resilience and the complexities of love during adversity. Its impactful storytelling and strong performances make it a noteworthy entry in contemporary Iranian cinema.
Score: 8/10